Fifty Shades of Grey

That’s the Minnesota landscape in December. Fifty shades of grey. Bleak.

Sunshine produces warm greys. Clouds make cold, hard, dreary greys. But grey is grey and there is nothing sexy or erotic about Minnesota’s Fifty Shades!

I’m lucky. For the last week before I left Ubud for the holidays in Minnesota, my Balinese friends would find me staring off over the coconut palms and frangipani trees. “What’s wrong?” they were concerned. Usually I’m doing…something! Shaken from my reverie I explained that I was capturing mental pictures of the kaleidoscope of color, the five million shades of green, that I would need to sustain me through 50 days of Minnesota grey. They laughed. You see, they don’t get it. They don’t get grey, they don’t get cold, and they definitely don’t get snow! It isn’t their reality. Ever. But it was mine for many years. I knew what to expect.

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Photo from Bing.com/images

I remembered a children’s story, Frederick by Leo Lionni, that I read to my girls years ago. While the other field mice worked to gather grain and nuts for winter, Frederick sat on a sunny rock by himself. “I gather sun rays for the cold dark winter days,” he told them. Another day he gathered “colors,” and then “words.” And when the food ran out, it was Frederick, the dreamer and poet, whose endless store of supplies warmed the hearts of his fellow mice, and fed their spirits during the darkest winter days.

So that’s what I did. I gathered the suns rays. I memorized the colors. I stored up all the brightest, happiest words to cheer me. I soaked up paradise…Bali-rice terraces (1)

And it almost worked…almost.

Taking the High Road

Taking the high road is choosing the ethical way…the class act…the higher moral ground. Or you can take a walk on an elevated train track above the bustle of New York City! Which is exactly what we did today.

I was coming out of the fog, vaguely aware of morning, when my door cracked open. Joy poked her cheerful little head in and said, “It’s your last day here, mama. Kellen and I are going running! When we get back we’ll do whatever you want…all day!” Then they went for a four mile run while I slowly came to and wondered what on earth I wanted to do. My window framed blue sky and sunshine. I pulled it open and stuck my head out, reminding myself not to look down. Gorgeous! Instantly I knew that a walk on the High Line was the perfect activity to take advantage of the glorious day.

“The High Line rail-trail is an urban marvel, stretching 1.5 miles and towering almost 30 feet above street level through several neighborhoods in the lower west side of Manhattan,” according to TrailLink online. We walked the whole of it this afternoon. It was 60 degrees, an absolutely delightful way to end 16 days in the Big Apple.

This is what the the rail-trail used to look like. Construction around the Hudson Yards has begun with plans to extend this unfinished part of the Line and upgrade the surrounding neighborhood in the next few years.

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And this is a view of the completed Line. What a change. Seeds from wild grasses that grew along this stretch of abandoned track through the city were gathered and used to create the landscaping. It feels like a stroll through a wild meadow.

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The path allows spectacular vistas of the city. We meandered slowly along as I shot picture after picture, sometimes even getting Kellen to pose for one or two!

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I caught him in the act of patiently waiting on bench at one of the jutting overlooks that are spaced at appropriate intervals along the way.

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There is a holly bush with brilliant red berries right behind Joy and me.

Artists have utilized the sides of buildings for giant murals and sculptures nestle in the wild grasses.

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Do you recognize this rendition of the classic photo showing the sailor kissing the nurse on the street?

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Standing on the trail you can hardly tell that this is a portrait. I was surprised after I took it how clear and detailed it really is.

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A brightly striped bust of what looks like an Asian warrior caught my eye.

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And here’s another piece.

My favorite, though, was the guy raising the blinds and waving out his window to passers by. I did a double/triple take, certain at first he was a picture, then certain that he had moved, then completely uncertain about anything! Joy told me he’s been there every time she’s walked this section. I’m still not sure…

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The Hudson River was visible at different points along the way. I liked this view of the arch by a pier.

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What a magnificent old skyway!

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I couldn’t resist a shot of this billboard. Two zebras in the snow…I have no idea what they were promoting!

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And then, every so often, there are wooden loungers beside the trail. I tried one. They’re surprisingly comfortable.

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And here they are, Joy and Kellen, the dynamic duo! Immediately following this photo Kellen informed me that he was done modeling for today and that I now owned the most extensive Kellen photo library on earth. I considered pleading my case then thought better of it. We have a pretty good relationship, even after two weeks of being confined to 700 square feet. I’d better not push it.

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Now my visit to New York is complete. I’ve seen two plays on Broadway, eaten until I have a new roll of flesh spilling over the waistband of my jeans, ridden the subway alone, shopped for four hours straight at Macy’s, and taken the high road. What a trip! Thanks Joy and Kellen. It’s been fabulous. You’re a class act!

The inimitable Leonard

Where, where, where is my gypsy wife tonight? I’m obsessed with Leonard Cohen. His lyrics are heartbreaking, haunting, and too real at times. They’re complex. They make me think while I’m crying. They explore delicate subjects that may even be considered tabu, with raw honesty. The melodies seduce in dark minor keys, and the man can’t sing. What can I say. His voice is a gravelly cross between Bob Dylan and laryngitis.

But that doesn’t matter. I can’t get enough. When I hear the opening rift of “Take This Waltz” my feet automatically go into the 1, 2, 3…1, 2, 3…1, 2, 3 of that classic dance step. I can’t stop them, my feet that is, and I am elated even though the words paint a forlorn and dismal picture.

Now in Vienna there’s ten pretty women
There’s a shoulder where Death comes to cry
There’s a lobby with nine hundred windows
There’s a tree where the doves go to die
There’s a piece that was torn from the morning
And it hangs in the Gallery of Frost… (Take This Waltz)

…a piece that was torn from the morning…I can’t even articulate what those words do to me. You can’t tear a piece from morning, right? But have you ever awakened not wanting to face another day? Something big and dark has happened in your life and there’s a gaping hole?

Well, maybe its not for everyone…?

But I think I’ve figured out what it is for me, this fascination. It has everything to do with the craft of writing. Leonard Cohen is a master of the art. He sings about the same things that everyone sings about, but he says it in ways that nobody has ever said it before. Even if I don’t understand completely, even if it doesn’t quite make sense when I examine the individual pieces, he creates a mood that resonates. His words, incongruously strung together, make the message even more poignant.

I aspire to write like that. Maybe not as dark…definitely not as dark! But I want to own words the way Leonard does. He makes them his, twists their meanings, and bends them to his will. His work is sheer genius.

Kitchen Ballet

It started early this morning. Joy posted the schedule for Thanksgiving preparations on the refrigerator and we went to work. There would be four of us for dinner, and the plan was to have the first course, French onion soup, at 1:00. Joy was poetry in motion, chopping, basting, sauteing and maintaining a steady stream of conversation all the while keeping one eye on her spreadsheets and the other on the clock.

The kitchen is not large and counter space is limited. I was assigned the task of chief dish and bottle washer throughout the morning, keeping the counters clear while Joy did what appeared to be kitchen ballet. Gracefully pivoting and pirouetting from oven to stove top to cutting board, she worked her magic. The mouth-watering aromas must have driven the other residents on the 21st floor crazy!

When Kellen came in from his morning run I was re-assigned. I happily moved on to table decor. He joined Joy in the kitchen and the two of them functioned together like a well-oiled machine. It was as though he read her mind, anticipating her next move then supplying what she needed before she asked.

Karen  arrived and the soup was ready. A gastronomical journey of impressive proportions began!

Oh that soup…!

I’ve eaten a lot of French onion soups in my time, but Joy’s was far and away the most delicious concoction I’ve yet encountered. The delicate rich flavor of the broth was complemented by a thick slice of sourdough bread topped with the creamy gruyere. Oh bliss! The soup alone should have been enough, would have been if this were not Thanksgiving. But as soon as our bowls were empty, out came the rest of the feast.

We had the ubiquitous turkey, a 20# bird that Joy soaked in a spicy brine for 16 hours prior to roasting. She crafted her dressing from French bread that she cubed, toasted, and lovingly seasoned to perfection. The Brussels sprouts were tossed with olive oil, lemon zest and black pepper. She did a side dish of made-from-scratch macaroni and cheese with sharp cheddar and cream. Her cranberry sauce started with real cranberries and an unexpected addition of jalepeno peppers. The garlic mashed potatoes and giblet gravy were just as mouth-watering as everything else on her amazing menu.

I haven’t eaten that much at one sitting for many, many years. But I couldn’t resist the flavors of that beautiful meal prepared with such skill and love. And then…dessert. Karen brought apple pie and cheesecake that she had also made from scratch. Of course there was no way to choose one or the other. So slowly, very slowly, I ate apple pie and vanilla bean ice cream. Then even more slowly, I ate New York cheesecake with strawberries and chocolate sauce.

Some things are just worth it.

Now the day is done. The house is quiet. Neighbors in the condos across the street, those who don’t pull the draperies, are one by one turning off their TV’s and going to bed. I’m wide awake and still far too full to fall asleep. But it isn’t just my over-stuffed stomach, my heart is overflowing as well. The blessings of family, of friends, of love and acceptance, of a life filled to capacity with immeasurable goodness scroll through my consciousness like scenes in a movie. Thanksgiving. Giving thanks.

May I never grow so accustomed to plenty that I forget what a gift it is.

He said…She said…

This day began, like most in my blessed Bali life, with Ketut. He appeared punctually at 8:45 with my breakfast and the daily profusion of fresh flowers: blood-red hibiscus, fragrant frangipani, and the lovely golden throated bloom that neither of us can identify.

But today was markedly different. His appearance with food was not preceded by the call-and-response mantra between me on the balcony and him in the garden. Every day for the past three months the pleasantries of “Good morning, how are you? Good, and you? Good. How did you sleep? Good, and you? Good, thank you,” have been exchanged from my lofty perch to his earthy one, followed by:

“You want eat?”

“Yes, please, papaya, toast, tea.”

“You want now?”

“Yes, please, now.”

Nine days out of 10 I order the same breakfast. I am bored hearing myself repeat it.

So yesterday, armed with my dictionary, I said, “Ketut, breakfast is always the same. Why don’t I eat every day at 8:45 a.m. You bring papaya, toast, and tea at 8:45. Does that work?” We agreed that if I anticipated wanting a variation on the theme I would alert him the night before, otherwise he would appear at 8:45 with the usual. So there he was this morning, 8:45 on the dot, beaming.

Feeling almost giddy with a new system that seemed far superior to the old one, we chatted away as I ate. I asked him about his childhood, what did he do when he was little. He made a chopping motion with one hand and said, “For cow.” We have spent enough time with each other by now that even the most cryptic of phrases, with accompanying hand signals, is decipherable.

“Oh!” I exclaimed. “You cut the food for the cows. How old?”

“Ten,” he said.

“What did you do when you were younger?”

“Play,” he said.

“What did you play?” I’ve been to his village. There are no toys, no kiddie parks, no swing sets.

“No have…” he stopped.

“No toys, no games?” I supplied the missing English words.

“Ya, no many many. Play in…” he made horizontal motions with his hands.

“Street? Yard?” I’m guessing.

“Ya,” he said.

“With other children in village?”

“Ya,” he said again. “Like this.” He pointed to the tiles on the floor of the balcony and pantomimed drawing lines. I got excited.

“Oh! You draw rooms on the ground? Pretend house?” He looked confused.

“No. Like this,” he said and began jumping from one tile to another. It was hopscotch! I leaped out of my chair bursting with laughter. “Oh! Sama-sama! In my country also!” Then we bounced around the balcony in an imaginary game of hopscotch wildly impressed with each other. After that we played jump-rope, and hide-n-seek.

These mundane occurrences are profound. They span oceans, decades, and vast cultural divides. They form a link where none exists between a 30 year old Balinese man from a remote mountain village and a 60 something woman from a place and culture he cannot even imagine. It says that maybe we are not so different after all. Once we were children. Once we played hopscotch, and hide-n-seek, and jumped rope with our little friends.

We did not intentionally pose like two peas in a pod for this photo!

We work hard to understand each other. His English is sketchy. My Indonesian is hit and miss, mostly miss. But there is a language that transcends all differences. It is blind to color, class, or creed. It is neither written nor spoken, but today we spoke it fluently. It is called childhood.

A Mermaid, a Demon, and Fish Satays

The fish satays from the local warung in Ubud are good. But the fish satays hot off the fire in the seaside village of Lebih…oh baby, oh baby! I awoke this morning adventure-lust tugging at my feet and a craving for salt air. Upon consulting my guru, Ketut, it appeared that today was an auspicious day for travel. Then again, he’s happy as a clam tooling me around the island on his motorbike just about any day short of a monsoon. So off we went.

Major intersections in the larger towns often sport breathtaking statuary at their centers. Usually the traffic snarls around these things at such a pace that a photo-op is out of the question. But I was lucky. This may be the only street in Ubud with a traffic light and today it happened to be red. So here’s the warrior Arjuna from the back of Ketut’s motorbike. If you will notice, less is not more in Balinese art!

Sculpture of Arjuna, finest archer and peerless warrior in the Hindu epic Mahabharata

The trail out of Ubud winds through rice paddies and over a bottomless river gorge toward the town of Gianyar. Roughly the same size as Ubud, Gianyar’s streets are equally as congested. But there are fewer tourists here. There was a lull in traffic as we passed these three massive statues. “Want photo?” Ketut asked as he pulled off to the side so I could capture the fantastic images.

This may be a sculpture of Surya, the sun god riding in his chariot, or maybe Krishna…? Can any of my Indonesian friends tell me?

Sculpture of Raksasa, the monster in the story of Ramayana

Sculpture of Sovann Macha, mermaid daughter of Demon Ravana in the epic tale of Ramayana. She is special having both feet AND a tail.

We glided safely past a mermaid, a god, and a demon and headed into the countryside. As soon as the congestion of Gianyar was behind us the breezes became humid with a saline tang. A few miles more and we approached the road that follows the coast. Lebih is across the intersection and down a short, dirt path. Ketut parked the bike and I extracted my head from the helmet which I have finally learned to do without assistance…a major accomplishment and an important step toward independence and personal dignity.

Colorful fishing boats were lined up like pretty toys, three deep after the morning catch.

A gossamer haze veils the mountains.

A group of men from the shore help haul this late fishing boat out of the sea

A new brick path has been completed atop the rocky rip rap that keeps the ocean from devouring the coast.

The covered platform is a restful spot for a shore lunch

The beach here is black volcanic sand. Bali has both, the pristine white and the dramatic, sparkling black. I walked along the hard-packed shore as the waves rolled and crashed beside me. Ketut shot this photo BEFORE I got wet!

Walking on the beach at Lebih

After scoring a snack of mouth-watering satays, I spent some time sitting like a happy turtle on a sun-warmed rock lost in the hypnotic motion of the sea. It was one of those delicious moments when I didn’t wish I had brought a writing tablet, sketch pad, or laptop. I was content to be a motionless lump on a warm rock doing absolutely nothing at all.

Miracle of The Naked Tree

It looms grotesque, a daily reminder of botanical brutality. The Naked Tree. After Ketut’s failed attempt to hack it down for firewood, a task that left an open wound encircling the trunk, I have tried to ignore its unsettling presence. For weeks I expected any day he would come with a saw, a tool more suitable for a tree trunk than his machete, and removing the offending corpse. But time passed to no avail.

The Naked Tree’s Wound

Mrs. Dove and her devoted mate recovered from the loss of their primary residence and are now firmly ensconced in a lovely, leafy home within arm’s reach at the other end of my balcony. In the early light of morning, however, as my eyelids flutter open, the first sight I behold is the pair of them side by side on a bare branch in The Naked Tree.

Mr. and Mrs. D in The Naked Tree at dawn

So the other day when Ketut was in a particularly jovial mood (I had just asked if he would be my body-guard  and accompany me out dancing to ward off the amorous Frenchman that seems to be blind to the fact that I am old enough to be his granny) I pointed to The Naked Tree and shrugged my shoulders in that universal gesture that says, “And your plan is….?” That made him double over with gut busting mirth. I was serious. With righteous indignation I said, “But Ketut…it’s dead! And it’s ugly! You can’t just leave it there.” When he had composed himself, with laugh-tears still wet on his cheeks, he said “No, not dead! See? Leaf!” I gave him a look (again universal language) that implied, “Yeah, you’re crazy Ketut.” Struggling to contain another outburst of hilarity he shook his head, “Not dead, see?” He pointed. I looked. Then I really looked and sure enough, tiny green sprouts have begun to emerge from the impossibly compromised Naked Tree branches. Now the expression on my face was one of shock and awe. “Seriously Ketut?! How can this be? You cut all the way around the trunk. It’s impossible!” By then he had assumed the countenance of patient longsuffering that has become all too familiar and summed it up, “In Bali, okay, many-many.”

Miraculous New Life Appearing

Silly me. In Bali, of course, the natural laws are simply suggestions that may or may not apply. Slap an orchid on the trunk of a coconut  palm and Wallah! you have orchids growing out of a tree trunk. Stick a white bougainvillea branch, and a coral bougainvillea branch on a pink bougainvillea bush and Presto! you have a profusion of pink, white, and coral flowers blossoming from the same stem.

There is a saying here, Plant a rock in Bali and it will grow. It isn’t far from the truth. I apologized to Ketut. Once again I was the clueless foreigner trying to put Bali into my midwestern, Minnesotan-frame-of-reference box. In my realm of possibility, spontaneous regeneration would be cataloged under miracles. In beautiful, equatorial Bali it is biasa hidup, normal life.

The Elegance of the Balinese Penjor

If I thought Bali was beautiful before, I had no idea what was in the works for the ten day Galungan celebration. Every Balinese friend I talked to spoke excitedly about Galungan and the penjor. The words had no meaning for me. So although their excitement was contagious, and even though they attempted to explain, I was clueless. As the day drew closer the energy of the island intensified. Then I got an invitation. Pasek, the manager of several properties including my house, invited me to his village for the temple ceremonies and the first day of Galungan. His village is high in the mountains and if there is a beaten track his home is significantly beyond that. I was deeply honored to be included in the special time for his family. So even though it meant another very long motorbike ride (over an hour one way) and subjecting myself to the roads that snake their way to the top shrinking ever smaller as they ascend, I eagerly accepted.

Pasek in his family temple with a few of the many many offerings

Pasek with his wife, his father, and his three children in the traditional Balinese ceremonial dress.

The experience was profoundly personal and I am grateful to have been so generously welcomed to share in the ancient practices still alive today.

On the ride to Pasek’s village on Mt. Batur, we passed thousands of penjor. I am not exaggerating…thousands! I kept exclaiming to the wind rushing past my ears, “Oh! Wow! Beautiful! Oh! Look at that one! Wow!” etc. etc.  That was yesterday. Today I straddled Ketut’s motorbike and off we went on a penjor photo adventure! He took me through village after village and stopped, waiting patiently while I walked from one glorious creation to the next, shooting, shooting, shooting.  Just by way of a quick explanation, penjor is synonymous with Mt. Agung, the highest and holiest mountain on Bali. Every single one of these gracefully arched, fancifully decorated bamboo poles is different. They are made by the family who owns the property abutting the street. There are offerings attached and there is often a little temple beside the penjor.

Penjors line the village streets

Another village…

And another…

At about 9 feet from the ground, the first work of art manifests. The following are a few examples of once again, thousands of variations on the theme.

The entire penjor is made from items occurring in nature and basic to Balinese life.

The tassels waving in the breezes high above the street are also marvelous and diverse creations.

The poles themselves are completely covered from top to bottom with exquisite woven, fringed, and looped designs that defy verbal explanation.

This one deserved a close-up…

Some of the penjors had a woven strip forming a ramp to the offering. Ketut told me these special weavings signify a family wedding.

These amazing displays remain in place for the 10 days of Galungan, then they are gone and next year, in the 11th month of their 210 day calendar, it happens all over again. The closest thing to it in the U.S. are the street decorations at Christmas. I won’t shove it down your throat, you can draw your own conclusions, but it doesn’t seem quite the same…

I’ve given you a small taste, a sweet one I hope, of the elegance of the penjor.

Garden on Steroids

“Want to see garden?” Ketut, the master of understatement, asked. We had just finished up a quick errand and I was planning to get back to my neglected writing. But who can resist a lovely garden as long as it belongs to someone else? I grew up pulling weeds, picking beans, shelling peas and not loving it. I revisited gardening once as an adult and quickly realized I did not inherit my father’s green thumb. “Sure,” was my immediate reply and off we went.

A few miles down the road Ketut pulled into a parking area and I read the sign, Botanic Garden Ubud. Of course I started laughing. My assumption versus Ketut’s reality is always off by about 180 degrees. I thought we might stroll for a few minutes through a temple garden or a pretty landscape. But the extravaganza of flora and fauna that awaited me was beyond my imagining. Two hours and thirty minutes later we emerged from an adventure that neither of us had anticipated. There were stone paths through groves of bamboo. There were steep staircases beside a bottomless river gorge. There was a temple meditation area and deep in the heart of that jungle garden, a rainforest. I think I must have said, “Oh wow!” a thousand times. So, want to see a garden?  Come with me!

The journey begins in the Orchid House where some ordinary, and some very rare orchids are raised for sale commercially.

The Orchid House

The Orchid House

The Orchid House

The Orchid House

Leaving The Orchid House

We left the Orchid House and descended a broad staircase into incredible layers of green.

The Path and Benches

Here and there a bench, free-form and organic, offered a place to rest and gaze. The path surfaces varied from tight, smooth pebbles to lumpy rock, to asphalt, to dirt and in one area, beautiful mosaic. You want to wear hiking sandals for optimum enjoyment of the walk.

Heliconia Hill

Heliconia

The Fern Garden

Entrance to Meditation Area

The Bamboo Grove

More of The Bamboo Grove

Small Waterfall Approaching Deep Gorge and Rainforest

The photos of the rainforest do not come close to doing justice to the magnificence. There was a river somewhere far below the dense jungle growth. All I could see through the layers was blackness.

Rainforest and River Gorge

Mother-in-law’s Tongue

I had to photograph this for my mother. She has a pot of Mother-in-law’s Tongue (I’m sure the name comes from the fact that the leaf is sharp and pointed!) in her living room that is from a plant that my grandmother brought with her on the boat from Norway in the early 1900’s.

Rainforest, green upon green upon green!

Approach to Lotus Ponds

Mosaic Lotus Motif in Path

The Maze

It was much darker than it looks. Don’t go in if you are even slightly claustrophobic. The paths twist and turn and YOU WILL GET LOST! I thought I was on my way out, turned a corner…dead end. It’s a good way to get the heart rate elevated without strenuous exercise.

The Palm Hill

Sculpture Garden and view of Orchid Houses

As we emerged from the intense density of jungle into this airy, open space at the end of the trail I had just a momentary flash of what it might have been like for those first adventurers. They wouldn’t have had the luxury of paths. Nor would they have had the little signs to tell them what they were looking at. There would have been no bamboo rail to warn them of the edge of the cliff that drops into nothingness. There might have been snakes. I was jolted back into the now by Ketut. “Go home?” he asked. “Yes, go home. This was a good adventure Ketut!” (We like that word.) He laughed then said, “What you want to eat?”

Reggae with Fredi Marley at Napi Orti

I climb the stairway that thumbs its nose at every building code ever written.  At the top, in the dim light of Napi Orti, I find some benches around a rough plank table. We sit then, five of us, one from Italy, one from Qatar, one English, one Balinese, and me. At the other end of the table is a group of seven young men and women from Spain. My eyes do a quick scan of the decor…they always do that. My years of interior design just won’t die. The ceiling vaults up to a peak where a fan slowly stirs the air. Art is mounted at a slant following the pitch of the ceiling. At about ten feet there’s a stunning black and white drawing of a bare-breasted woman. There are posters, landscapes, and dozens of origami fish skeletons hanging overhead.

I am here at Julie’s invitation to hear reggae music. But not just any reggae, tonight Fredi Marley and his band are performing. I hope that he will play Bali Holiday. Julie wrote the lyrics of that song. Fredi put music to her words and it’s on his latest album. My eyes continue their scan. It’s a mellow crowd and none of them look like Minnesota. I’m okay with that. The low hum of many languages confirms the international flavor.

Then he’s there, in front, and the first chords of his guitar vibrate through my soul. “Don’t worry…about a thing…’cause every little thing’s…gonna be all right…” Oh Fredi! How did you know that is my very favorite reggae song in the whole universe? Fredi and his backup guitarist harmonize on the vocals and pump out a perfect blend of fabulous. The djembe drummer in his blaze orange t-shirt and black mafia fedora nails the beat and the place rocks. There is no way to sit still to reggae. The body does something involuntary and it doesn’t matter what. A slim Japanese man, shirt unbuttoned and all in white, does tai chi on the dance floor. A round-faced Chinese fellow whirls a willing woman in a version of East Coast Swing.

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Fredi Marley

The crowd adores and Fredi delivers. Then Julie is clapping excitedly, “This is it! This is Bali Holiday!” (Click to listen) Suddenly it was like I was sitting next to a celebrity. Fredi’s voice is compelling, “Thirty days are not enough…60 days are not enough…90 days are not enough…still not enough…”  The message is one that speaks to me. No matter how long I am in Bali, it is never long enough. The band takes a break and Fredi walks over to our little group. He is glad I like his music, he says. Like every other Indonesian person I’ve met, he is warm and engaging. He shakes my hand. In a few minutes he’s back at his guitar for another round of irresistible sounds and rhythms.

The clock strikes midnight and the magic ends. However many hours it has been, it’s not enough. But Napi Orti is only about a block from my house. Fredi plays there often. I will go back.

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