The Formidable Power of Intention

I careened into 2020 out of control. That’s how the energy of the new decade felt. I couldn’t focus, didn’t want to write, looked for distractions to keep me too busy to think. There’s a word used by my British friends that seems to fit. Scatty.

I was scatty.

Normally, my actions are intentional. I’m calm, well organized, emotionally stable, disciplined, and self-motivated. I set achievable goals and bask in an overall sense of well-being. In the months leading up to 2020 the person that used to embody those attributes went missing.

I felt like a stranger in my own skin.

I couldn’t put a sentence on paper to save my soul, nor did I want to. All that interested me was getting together with friends. Hikes, lunch dates, meetups for coffee, any excuse to be with people would do. I no longer needed long hours alone to recharge. For the first time in my life, people energized me.

I kept waiting for the phase to pass. I made excuses for myself: I was overstimulated from my trip to the States, out-of-town visitors needed my attention, it was just a bad case of writer’s block. Soon, I thought, the old me would be back and life as I’d known it would resume.

But it didn’t.

One morning, a personality test popped up on my phone. Before I was fully awake I’d engaged. Instead of multiple choice, I was told to identify the pictures that most closely answered each of the questions. I found myself sinking into the situation each image represented, feeling the truth in my body.

When my answers were tallied I viewed the graph in amazement. I’d scored a whopping 92% in extraversion which, the results explained, reflected how energetically I engaged with the outside world.

On the one hand, I felt seen. My unusual behavior was validated. By some twist of nature I’d become an extrovert.

On the other hand, it freaked me out.

Grasping for clues, I searched my journal entries and a pattern emerged. My desire going into 2020 was for honest communication, greater authenticity, and to be fully and unapologetically who I am. I’d been thinking about it, journaling about it, talking about it, and meditating on it. My intentions had been broadcast to the Universe in multiple ways, many times a day.

What I hadn’t done was imagine what that would look like in real life. I hadn’t expected a rewiring of my nervous system, or that I would become a social animal enjoying the company of the pack at least as much if not more than my solitary cave. I’d made assumptions based on old programming not realizing that the authentic me was a different creature entirely.

As I come to terms with my updated self and accept the mildly schizophrenic sensations that have accompanied this transformation, I’m in awe of the formidable power of intention. I’m also aware of how unskillfully I used that power. I imagined a slight tweak to my personality. But the words, to be fully and unapologetically who I am, that I unleashed to the cosmos, were not about tweaking. In essence I used a jackhammer to pound a nail.

I wish I could describe how it feels to be so abruptly and thoroughly changed. Everything I do is a new experience even though I know I’ve done it hundreds of times before. Sometimes I’m surprised by what I say though as soon as I’ve spoken I know it’s my truth. It’s like someone else has incarnated in my body and claimed it for their own yet this alien other is more authentically who I’ve always been.

It’s spooky, thrilling and disturbingly new, and slowly, very slowly, I’m starting to write again.

MUDDLED MIND

Muddling works for mojitos and mint juleps but it isn’t great for the mind. In fact it’s dreadful to feel at loose ends, directionless, lacking purpose. It can drag a person down.

For the past two months I’ve hosted a colony of ants under my skin. You may know the feeling. My body insisted on a constant state of motion, demanding long walks in excruciating 90°F (32°C) heat. I’d come home red-faced, drenched in sweat, ripping off clothes as I bee-lined for the shower.

For years I’ve guarded my solitude. Too much socializing drained me – at least that’s the story I told myself. Now I was the one organizing get-togethers, entertaining out-of-town guests, making any excuse I could conjure to keep myself busy.

Countless times I opened my computer, stared at the novel I’d been writing, and wondered where I’d found all those words. Two minutes, three, squinting, reading a few lines. Then I’d shake my head, hit the power-off button and message a friend or two to meet for lunch.

Distraction was the name of the game and I was winning.

During one of those get-togethers, the topic of vision boards came up. It seems my friends also felt anchorless. We agreed to meet at my house and see if we could muster clarity with the cut-and-paste approach. I found old issues of Vanity Fair and a National Geographic at the Smile Shop – Ubud’s Goodwill-type donation store – and snatched them up. Years ago in the States I had stacks of Architectural Digest, Vogue, Cosmopolitan, Elle, House Beautiful, and Country Living. But not here. Finding six dusty, ripped, moth-eaten magazines was like striking gold.

On the appointed day we gathered at the dining table with paints, pencils, markers, scissors, glue, and the ratty magazines. Pages turned. Nobody spoke. The air hung heavy and still with the intensity of our concentration. I hadn’t a clue what I was hoping to accomplish. But every-now-and-then a picture jumped out at me. Or a word leaped off the page. Soon I was snipping feverishly with a collection growing beside me.

We did well, but after forty-five minutes the silent focus was unsustainable.

“I’m hungry,” I said.

My friends looked up, dazed. “Well, it’s five o’clock somewhere. Let’s go eat.”

We chatted in the back garden of a nearby cafe that happened to have two-for-one happy-hour cocktails. And what luck! My favorite drink of all time was on offer: frozen mojitos. I wasn’t born during the depression but there’s something about two-for-one anything that makes it immoral to have just one. I had two frozen mojitos and a to-die-for roasted-veggie salad.

After whiling away a few more hours at the restaurant, my friends left promising they’d work on their projects at home. I felt the mellowing effect of my drinks but was strangely energized and eager to see if the stack of cut-outs had a common theme. Would a direction emerge? Had my subconscious or a bevy of capricious Bali spirits come out of hiding to help me choose those words and pictures?

I’m not a crafty person. Normally I’d devise any excuse to avoid this kind of activity. But as I arranged the images that same laser-like focus returned. Body, mind, and spirit engaged and I saw myself reflected in pictures and words that validated the very essence of who I am. It didn’t spell out in a sentence, Sherry, do this, yet the message was unmistakable.

You know the feeling when you’re telling someone your deepest truth and they get it? I felt like that looking at my board. A bubble of joy that made me laugh. A sense of relief that I’d worked through the fog and could see the way ahead. And gratitude. Gratitude for friends. Gratitude for the simplicity of a vision board to help gain self-knowledge. And gratitude for this place where energies abound to support the inner journey.

Jealous Lovers — Too Much of a Good Thing

There’s a happy place between not enough and too much that yields peace. It applies to just about everything in life. Like the story of The Three Bears – the chair can be neither too big nor too small, the porridge neither too hot nor too cold, the bed neither too hard nor too soft. For ultimate satisfaction, everything should be just right.

When we strike that balance it’s like catching the jetstream. Moving forward is effortless. Doors open. The way is clear. We know where we’re going and how to get there. There’s time for family and friends, for satisfying work, for self-nurture.

That pretty much describes my life for the past seven years. There were times I was pulled a fraction off-center but when that happened the discomfort was acute and I’d hastily course-correct.

Then an extraordinary event took place.

Nervous unsettledness had plagued me for several weeks. On the day of my birthday in January, I pricked a pinhole in a piece of paper and squinted at the moon passing in front of the sun. That Capricorn solar eclipse delivered an unprecedented explosion of energy. I was slammed with possibility, power-packed potential that rocked my foundations.

In the days and weeks that followed a geyser of ideas spewed forth and I implemented all of them. I queried fifty-five agents hoping to get representation for my memoir. I changed the voice of several of the characters in the novel I was working on. I started writing a self-help book. I formulated a new business plan for a friend. And that was just the beginning.

The energy of that eclipse carried me for months.

Then I lost the desire to query, so I stopped. The tangled plot in the novel defied me. I left it and worked on the self-help book. That reached a sticky point. Muddled, mired in my plethora of projects, I lacked inspiration for any of them.

Sleep came easily at night but exhaustion overtook me the moment I dragged myself out of bed. So I napped and read, read and napped and left the house only when I had a previously arranged commitment.

The situation, so out of character, bewildered me.

Each one of my ideas had seemed brilliant at the time and I was still keen to develop them. But they all required intense focus, attention to detail, and loving care. I could summon zero motivation for any of it.

As I journaled those thoughts this morning, my pen returned to the word focus. I slashed lines of emphasis beneath it. Focus was what I couldn’t do right now and more than anything else, that’s what was required. I glanced at my desk where stacks of tablets, folders, a clipboard, and three pens bore silent testimony to the clutter of unfinished tasks.

I’d become entangled in too much of a good thing.

Now I’m faced with having to choose what gets shelved for a while and what goes forward. It’s painful. I decided avoidance was the best approach and wrote this article. There’s nothing like procrastination to delay the inevitable. And yet, describing my process has brought a new level of self-awareness.

I’ve realized I’m not someone who goes lightly into anything. Writing pulls words from my gut, runs sentences through my heart, and produces sweaty pages of honest prose that undress my innermost being. I demand it of myself. Each project is a jealous lover who requires my all. Knowing that, it’s probably better to be faithful to one at a time.

Please Don’t Ever Change

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When I look at this photo I want to laugh and cry and fall to my knees. I want to say to the young man planting grass, “Please, don’t ever change.”

What I actually said went something like this: “Those sticks, Ketut. Do you really expect them to grow?”

“Ya,” he replied. “Soon many.”

My only frame of reference to gardening was Minnesota. If you lopped a branch off a tree and stuck it in the ground in that climate, trust me. It absolutely would not grow.

Ketut gathered cast-off cuttings from nearby hotels and scrounged compost piles after dark. He dug up bushes from his family’s garden in the mountains near Kintamani and transplanted them here. He had a vision and the skills to manifest it. In no time the grass filled in and the stick-garden matured. There were papaya and banana trees, frangipani, and bougainvillea.

In spite of my skepticism, the plantings matured and multiplied. I added a gazebo to the once-upon-a-time stick-garden. Ketut installed electricity and a fan. Now I could have my coffee there and read or write surrounded by voluptuous tropical foliage.

It’s been five years since Ketut gathered branches and stuck them in the ground. Hundreds of plants bursting with fruit and flowers have emerged from those scant beginnings. I wonder, have I changed too? Have the seven years in Bali transformed me from the stick-garden I was when I arrived to someone fully alive?

I have more close friends, more visitors, more invitations, and more commitments than ever before. I’ve learned a foreign language, written two novels and a memoir, and had many articles published. I’ve leased land, built a house, and explored the mountains and coastlines of the island on the back of Ketut’s motorbike. I’ve held Writing for Self-Discovery workshops and my blog has brought others to Bali to imagine their own possibilities.

But what about self-discovery, the reason I began this writing journey in the first place? I had to dig for those answers and when I did I found I’ve become more honest. I’m willing to be seen hanging out my dirty laundry. I’m prepared to be disliked rather than sacrifice who I am. My list was revealing.

  • I let go of perfect – horns fit me better than haloes
  • I know things – it’s okay to be smart, intuitive and right
  • I’m worthy of love – self-love is essential, not selfish
  • I’ve developed a sense of humor – dry and warped but it works
  • I thrive in tropical heat – with an ice-cold mug of Bintang
  • I’m a creature of habit – don’t mess with my routine
  • I’m courageous – but definitely not fearless
  • I’ve become transparent – see my shadow? It’s really dark!
  • I need privacy – especially in the morning
  • I feared loneliness – it didn’t happen
  • I can manage unconditional love – but not marriage

And Ketut? The young man I hoped would never change? His smile is broader, his laughter even more infectious. He’s incapable of malice. His kindness is immeasurable.

Everything changes, but some things just get better.

Your Dull Suburban Heart Writing Memoir

There’s a way of expressing language that makes me want to slurp it up like melted ice cream, or a Killer Coconut Cocktail. For example, the following was taken from a speech Charlotte Wood made to an Emerging Writers’ Festival in New South Wales:

Allow your writing to expose your shameful ordinariness, your dull suburban heart, your fear, your humanity. Write truthfully into your frailties not away from them.

Your shameful ordinariness. Your dull suburban heart.

That’s what I mean. Using words we all know, Charlotte puts together phrases that make me want to read everything she’s ever written, want to feast on it hoping somehow it will nourish the same brilliance in me.

When I started the memoir, I didn’t know about writing truthfully into my frailties. But I did find myself stopping often in mid-sentence to ask, “Was that how it happened? Or is that just the story I’ve always told myself?”

I wrote the initial draft in first person present, reliving everything as though I was once again in that moment. It was tough. Really tough. The narrative was raw because my life was raw. I rehashed events taking no notice of the lessons they were meant to teach. But I finished it without slitting my wrists.

And sent it off to agents.

One answered. She said two things, 1) at 160,000 words it was too long, and 2) I hadn’t resolved the issues. She suggested slimming it to 80,000 words, an acceptable count for first time authors.

Okay, she wanted me to chop it in half. Sure, I could do that. And I did. But the second time through I told the story in third person past. It was me, older, wiser, pondering my younger self. As I wrote, it was obvious that of course I hadn’t resolved the issues; I hadn’t even recognized them. That’s when I started to question. Perhaps I hadn’t been the ravaged heroine I’d imagined. Perhaps I’d had more culpability in my tragedies than I’d been willing to admit. Victim energy leaked through the narrative and made me nauseous. Oooo. Ouch! Unacceptable.

That rewrite took the better part of a year. An entirely different story emerged, a truer one, and the word count was just a hair over 80,000.

I sent it off to agents.

One answered. She said, 1) the current market prefers to have memoir told in first person. There was no number two. As soon as I read it, I knew she was right. A compelling gut feeling told me that I’d needed that perspective for myself. But for the reader, the third person past point of view left too much distance between the main character and the action.

I’m currently in the third rewrite and once again it’s narrated in first person. But it’s coming from a much different place now. I won’t be well liked but I’ll be real. I won’t be a victim but readers will sympathize once they get over my serial stupidity. And the issues? Are they ever truly resolved? At least it will be clear that I’ve learned from my mistakes.

More than any therapist ever could, this labor of self-love, this monumental undertaking that has already spanned four years of my life, has helped me own my demons. Nobody really cares about Ms. Perfect. It’s the shadow that makes us interesting. In writing and rewriting life’s journey from three different perspectives, I’ve become honest about who I was and fiercely grateful for who I’ve become.

I’m about to send it off to agents…again!

When You’re Real

Most of my life I craved REAL while living the opposite. By the time I was in my late fifties I’d grown bone tired of keeping up appearances, looking happy when sad, successful when failing, confident when crushed, in love when…sigh….

Nobody said I had to fake it. The compulsion came from inside. The whole perfect facade of my life hid a mucked-up mess.

It was the story of The Velveteen Rabbit, by Margery Williams, that helped me change; helped me become REAL.

Isn't it ironic how this was one of my most favourite stories as a child and I really didn't know why ... but now I do.

It was the single most profound thing I’d ever read. It became my holy book, lines underscored, pages earmarked, and this paragraph especially, tear stained.

I look back on that time often, now that my joints are loose (more likely stiff) my hair’s been rubbed off (gotten thin) and my eyes have fallen out (lasik surgery). In spite of all evidence to the contrary, I don’t feel a bit ugly. I surround myself with REAL people, and they understand.

I no longer require pristine perfection in other things, either. Like, for instance my REAL groceries from the Ubud morning market. Far from the scrubbed and sanitized, shrink wrapped, color enhanced, chemical infused products proliferating the shelves in the local grocery stores, my food is brought in battered trucks fresh from the villages at 5:00 a.m.

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Ketut visits the market pre-dawn and does all the shopping. When I realized a year ago that I was protein deficient and needed to add a little meat to my vegetarian diet, I asked him if he could get chicken at the market. His answer was lengthy. Not only could he get it, he could get it fried, open fire roasted, grilled, steamed in banana leaves with Balinese bumbu, made into satays, and raw. I decided to try the fire roasted. He looked happy.

Next morning the grossest looking fowl I’d ever seen (exactly like the one above) arrived on my counter top. I’m ashamed to admit this now, but I squeaked when I saw it. I scream at snakes, most everything else that surprises me gets a squeak. I asked Ketut to take it to his kitchen, remove the head and feet, and return it looking less like it might get up and walk. He said I should use those parts to make soup. I told him he was welcome to have them for that or any other purpose just please take them away.

Of course it turned out that the scary bird was the most delicious meat I’d ever eaten. I’m sure it had been free-ranging, scratching and pecking in the family compound only minutes before it was captured, de-feathered, gutted, cleaned, and roasted over the smoking fire.

The brilliant green spinach offered up a few surprises of it’s own. It’s locally grown and organic. How do I know? It comes complete with bugs still residing in the leaves. The ones I miss during cleaning come floating to the top when I boil it for dinner.

And the eggs…?

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The eggs still have REAL poop on them!

I derive such pleasure from the simplicity. These products haven’t been cleaned up and made presentable. They come from farmers living a few miles away who load their trucks at o-dark-thirty and rumble into town. I love knowing that by avoiding the grocery stores and purchasing from the morning market I’m supporting independent family businesses, REAL people with REAL food.

Sometimes I wonder: What if I’d never read The Velveteen Rabbit? Would I still be living a soulless life? Words have incredible power to inform and transform. That little book happened to fall into my hands at precisely the time I was ripe for it’s message. And oh what bliss: the intoxicating magic of REAL!

 

 

 

 

Dealing with Uncertainty

When I wrote my last post a few days ago, Mt. Agung was still just a stately presence, the highest, holiest mountain in Bali and home to Besakih, the mother temple. Right now, as I keyed in that sentence, another tremor rattled my windows and shook the floor. Holy Mt. Agung is trembling, threatening, poised to erupt – or not.

Not even the most expert of the experts can predict when, or even if an eruption will happen. They cannot foretell the explosive strength if it does blow. But over 50,000 people have been moved out of their homes on the slopes and in surrounding villages because they would not survive if…

I’m in Ubud. We’re told that here we’re far enough away. I think that’s supposed to make us feel better. The streets are teeming with visitors, more people than I’ve ever seen in this town before. They’re shopping, laughing, packing the many restaurants, and going about life as usual.

But I live here, and for me, this is not life as usual. Time hangs between tremors – between news flashes – between numbers, 3 for be careful, 4 for beware. We’re at 4, the highest these warning numbers go. I know many families that aren’t evacuating. Ketut’s is one of them. They live 10 kilometers from Agung. A 7.5 kilometer distance is the mandatory evacuation zone. I worry.

I have never had to psychologically manage such uncertainty before. It’s a helpless feeling. I’m a ‘doer’ and there is nothing I can do to change the situation. I like to imagine that I have control over my environment. I have none. Mother Nature is in charge. Meanwhile, we wait.

 

 

Hiding out in the past

 

I’ve been writing my memoir for three years. It seems like forever until I think about the 67 years it took me to live it.

On Tuesday, September 19th, 2017, at 11:30 p.m. Bali time, after once again reading through the entire 99,327 word manuscript, I deleted an unnecessary adjective on page 181, took a weary breath, and hit send. A kind woman in New York City will take a look at it. She’s been in the publishing industry for a long time. The fate of my labors hangs on her advice.

I didn’t anticipate the feelings that would arise in the absence of that project. I expected relief and little else. There’s been a little relief and a lot else. Every morning for the past three years I’ve awakened knowing I had work to do. September 20th, dawned with an entire day empty. That’s how it felt: empty. The truth is, I’m retired. Every hour is mine to fill or not in any way I choose. But I’d committed the previous thirty-six months to writing, and that gave my life focus. Finished now, at least for the moment, what would I do with all that available time?

Before I could swing my legs over the side of the bed for morning ablutions, a realization hit: I was back in the present. I’d spent three years reliving the past. I don’t mean remembering – remembering is passive. Reliving is active involvement, re-experiencing, re-feeling, bringing up old emotions to craft into words so future readers can connect with something real. Sending the manuscript on its way detached me from that former time and catapulted me into the present.

A huge portion of mental real estate was wiped clean. My mind, scrubbed and shiny, felt new. The sensation expanded throughout my body. It made sense. The tens of thousands of words I’d dredged up to tell my story had been at the expense of every nerve and cell where traumas were stored. My entire being had existed in the past for the duration of the writing, and now I was free.

The present is a new experience, and I’m not yet altogether comfortable with it. Although much of the past was unpleasant, it was familiar. I could always duck into it, hide for days believing that I was working – writing – which I was. I was also healing. Mucking around in those stories, retelling them, gave me the opportunity to see things in a different light. In so doing, wounds healed. But at the same time, I was stuck there, using the past as a buffer to cushion myself from – from what?

From getting old. Yes. From the very real, very present evidence of encroaching old age. To be fully present means accepting who I am now. I’ve heard many mature adults say that inside they still feel sixteen, or twenty-five. I used to say the same. But writing the memoir has brought me current. I’ve lived those years, twice. I’ve learned the lessons, finally, and have earned the earmarks of the elder: sags, wrinkles, and wisdom, one would hope!

There have been other shifts like this, seismic upheavals that heralded a new way of being, and all have come through writing. It’s a profound tool for self-discovery, and writing memoir is the ultimate challenge. For me, reliving my life through memoir accomplished what the first incarnation hadn’t: I grew up. But I’m not so adult as to pass on a pair of totally outrageous earrings at the Smile Shop – aren’t they great?!

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SOLAR ECLIPSE: Compelled toward CHOICE

solar eclipse embodiedA Solar Eclipse happens the morning of March 9th, 2016. Energetically this is a moment of profound choice that will deeply affect your fate for the next 19 years.

When I read that statement, my body tingled and sprouted goosebumps.

The event is the equivalent of a monumental power surge supporting transitions. Actually, forcing is the better word. In this crucible of opportunity we are forced to choose only one specific and critically important area of focus in order to make use of the energy.

In recent months I’ve felt a minor irritation, like a wasp circling my head, not too close but close enough that I can’t fully relax into my life. I’ve noticed uncertainties toward specific writing goals and family relationships. The questions spin through my mind, searching but finding no answers.

In the past, these sensations have preceded major adjustments to the status quo. Evolution cannot remain static. It’s essential to listen to the sounds pounding in the psyche, the discomforts rattling through the nervous system calling attention to the need for change. On one hand, the past offers a familiar path, the karmic conditions that dictated what life looked like before. Slipping into old patterns is tempting. But ahead, in the strange mystery of the future lies limitless growth. It challenges everything and promises only to pay your experiences forward with wisdom and empathy.

solar eclipse islandMarch 9th is also Nyepi, the Balinese New Years Day. It follows a night of chaotic wildness as dark spirits are driven out and the island experiences a re-set of benign peace. The eclipse and Nyepi taken together are formidable in their potential for effecting transformation.

It’s entirely probable that this supercharged moment provides the ideal frequency to connect with life’s purpose and core soul unity, part of the answer to Why Am I Here.

On the morning of March 9th as the sun disappears and utter quiet reigns over the island, planes grounded, the airport closed, people confined to their homes for silent meditation and reflection, I’ll sit in waiting, acknowledging the power of wounds, empty spaces and the sacred darkness, refusing to re-live those wounds or identify with them. But as I sit, will I contract with the universe to discard karmic patterns and re-assert my agency in the process of consciously driven evolution? Will I re-examine my belief systems, questioning roles, rules, and narratives I have held as sacred, unquestionable, or absolute? Will I release and walk away from anyone or anything that isn’t on my energetic wavelength? Will I trust my intuition, gut instincts, imagination and dreams?

Will I resolve to do only what is mine to do?

I’m excited and more than a little apprehensive. I’ve enjoyed four years of deep healing and explosive joy, unequaled by anything in my former life. It’s been a time of sacred idleness, a holy reprieve and I sense the chapter ahead will stretch me. On March 9th I’ll seal my fate for the next nineteen years. Will I lean into the unknown, embrace fears and plunge headlong into the vortex of change? Or will I stagnate, immobilized by the immensity of my own power to choose?

 

Credits:  Quoted text from an article, The Eclipse – Another Roll of the Dice, by Lorna Bevan

Image #1  –  http://www.globallightminds.com

Image #2  –  Holly Sierra, American Magical Realism Painter

 

 

When You’re Real

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“It doesn’t happen all at once,” said the Skin Horse. “You become. It takes a long time. That’s why it doesn’t happen often to people who break easily, or have sharp edges, or who have to be carefully kept. Generally, by the time you are Real, most of your hair has been loved off, and your eyes drop out and you get loose in the joints and very shabby. But these things don’t matter at all, because once you are Real you can’t be ugly, except to people who don’t understand.”

From The Velveteen Rabbit – by Margery Williams

For a long, long time I tried to be perfect. It was a need as deep as breathing and I fooled a lot of people including myself. “Oh Sherry, you’re so together. You’re always calm.” I heard it all the time and loved it. That was the image I created to cover the inside that was littered with guilt, shame, and blame.

But perfection’s a tough gig. Not only that, it lacks substance. Perfect is a china doll, an airbrushed painting, a lacquered wig. Somewhere along the way I began to suspect I was shallow, colorless. I was so tightly held, so carefully constructed there was no room for inspiration which, of course, added to the self-contempt. From age 26 to 56, this was my modus.

But something happened at midlife. It was like waking up from a Rip Van Winkle slumber. Who am I and where have I been for thirty years? Confused and disoriented, I consulted an insightful woman who told me to muck around in the nitty-gritty and don’t be afraid to get dirty. “I’m already dirty,” I said through tears. “I’ve tried so hard to get clean.”

“You’re not dirty, Sherry.” She plumbed to the depths of my soul with her eyes. “You’ve never been anything but perfect. The perfect daughter, the perfect wife, the perfect mother. I’m just asking you to be real.”

That may be the single, most profound thing anybody ever said to me. Putting perfect up beside real and seeing that the one made the other impossible, was revelation. As soon as she said it I knew it was true. I had no hope of being me unless I let go of perfect.

Of course, the person who emerged as the ‘perfect pictures’ slipped into the sinkhole of my shadow, was neither shallow, nor colorless. I found that I liked her irreverent, gutsy self. At first I protected her, didn’t say much about her past, just let her evolve and mature. But the more real she became, the less need I felt to gloss over the too-obvious flaws. The liberation that came when there was nothing left to hide, was the ultimate freedom.

Writing my memoir has been the full disclosure. I’ve filleted myself wide open to judgement but I’ve also let go at last of every shred of the need to look good as a disguise. I’m willing to let my hair be loved off, get loose in the joints and shabby, because at last I’m real, and I can’t be ugly, except to people who don’t understand.

Photo credits to Sharon Lyon

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